The City of Chicago calls ISW a “global model for urban revitalization.” According to a press release from November 2021, there has been approximately $1.4 billion in investments so far, including $750 million in city funds, $575 million in corporate and philanthropic commitments, and $300 million in planned mixed-use projects. Accounting for the last figure is a series of RFPs issued by the city over the past two years to developers and architects for the redevelopment of sites along commercial

Infrastructure, in conventional imaginations, exists as a tool of permanence: bridges, roads, sidewalks, and utilities are eternal public goods. Climate change has challenged that reality; extreme, less predictable climates have generated new discourses in adaptation and flexibility as core components of infrastructural resilience in the face of uncertain futures. Design Critics in Urban Planning and Design, Soledad Patiño and Felipe Vera are approaching the notion of adaptable, flexible

This story was produced by City Bureau and co-published by the Chicago Reader. On a chilly Saturday morning in November, a dozen teens packed into a repurposed storefront in Austin, a neighborhood in the city’s Far West Side. The storefront sits across from a stretch of Chicago Avenue that is peppered with vacant lots –– sparse teeth in an otherwise toothless grin of long-lost buildings. Inside, the walls were covered with sketches, drawings, and layers of colorful sticky notes. Jacara Walker,

Backdropped by the COVID-19 pandemic, the shift of city dwellers to rural home buyers has been framed as a panacea to the health risks posed by dense urban environments. But rural towns often present invisible, compounding health risks, especially to their most vulnerable residents, says Ben Shirtcliff, an associate professor of landscape...

Spending closing night of A Christmas Carol in the company of theater geeks—but not being one myself—I watched enviously as my peers galloped and hollered at the cast party in our high school theater backstage. They navigated around strange machineries, like lights and scaffolds and a forest of ropes dangling from ethereal catwalks, disappearing behind doors to reemerge on stage; they knew where all the trapdoors were. Theaters, I learned from this close vantage, are places for architectural mag

According to firm founder Jeanne Gang, the roller rink is “one of a number of outcomes of our larger Neighborhood Activation project in West Garfield Park,” which include physical improvements to pedestrian infrastructure, tree plantings, and general beautification, as well as services like homeless outreach and violence prevention. As important as the rink itself is the architecture firm’s forthcoming "Neighborhood Action Playbook," a booklet that documents the firm’s community engagement proc

Earlier this summer, the City of Chicago’s Department of Planning and Development announced that it had formed a Committee on Design from a volunteer coterie of architects, developers, and academics, who will collectively assess development proposals. The initiative had the veneer of a boring legislative body, and yet I was startled as I scanned the list of members. The architect Jeanne Gang stood out, as did a trio of artists: Nick Cave, Theaster Gates, and there at the bottom, Amanda Williams. To me, the move represents a bureaucratization of those with good ideas—with skills and tools and connections to communities and critical practices.

For Black architects, this is a moment of energy, hope, and caution. Will change happen?

Self-proclaimed “hater” Anjulie Rao wonders about the true availability of the sites on display at the event’s fourth iteration, titled The Available City.

Exhibit Columbus: New Middles – From Main Street to Megalopolis, What is the Future of the Middle City? Columbus, Indiana Open through November 28, 2021 On the four-hour drive from Chicago to Columbus, Indiana, romance and romanticization were squarely on my mind. I had heard about the Columbus mythos, in which corporate generosity made the place into a modernist mecca of the Midwest. For an architect of Eero Saarinen’s standing, or his protégé Kevin Roche, Columbus presented itself as an i

In the minds of many coast dwellers, the American middle exists only in reference to their own condition: flyovers, breadbaskets. Middle-ness isn’t a state of being in and of itself but rather an aberrated refraction of the coasts’ sparkling prisms. For those who live in the middle, their existence and identities are fractured between geography, industry, and policy, while being outwardly lumped into regionalisms: the Midwest, the heartland. At this year’s Exhibit Columbus (Indiana, that is), wh

Read how companies can obtain the most value from their investment and commitment. The month of June saw many company logos altered to incorporate the rainbow-colored Pride flag in a show of support for marginalized groups. However, this temporary gesture—like the publication of grand statements against racism—does not indicate a company culture or structure free from inequities.

Chicago-based Future Firm is a practice that embraces the complexities of building — site conditions, system challenges and infrastructure. But instead of abandoning them as “problems solved” or “issues mitigated,” founding principals Ann Lui and Craig Reschke see those complications as opportunities for imagination. From a sensitive renovation of a former medical office into an artist studio and gallery to the conceptual installation Storm-Speed City — which revisits the role of weather in cit

Traces of the past at Tuskegee University remind attentive students and visitors of the unique social conditions that produced the historic campus. Founded in 1881, the institution was built up by its first group of students and instructors. Their hands made the bricks and mixed the mortar, and if you look closely, you can find their fingerprints preserved in the building facades. “Our campus is a living, organic entity because it was born out of the dirt and shaped by students and faculty,” sa

Architecture studio Ply+ designed House P, a slender rectilinear building outside Ann Arbor, Michigan, with two goals: to accommodate the clients’ desire to age in their own home and to showcase their large art collection, which ranges from prints to sculptures. According to firm principal Craig Borum, the two-story house’s sleek form—it contains two bedrooms, two and a half bathrooms, a kitchen and dining area on the top level, and ample lounge space—was influenced by the site’s steep topograph

Unused land, in the eye of capital, is wasted space, dormant and waiting to build wealth via development. In Chicago, among other Rust Belt cities, huge swathes of land are empty of buildings. More than 13,800 city-owned vacant parcels sit on the South and West Sides in predominantly Black and Brown neighbourhoods, a product of historical redlining that created Chicago’s segregated cityscape, exacerbating foreclosures and depopulation.

On college campuses across the country, late summer yields the air of transformation; students and their families arrive on campus and embark on rituals and rites that change those students into members of a new community. Many universities take advantage of their campuses—their histories, landscapes, and buildings—to embed celebratory tr

When Dessa Cosma met with fellow Detroit social justice leader Jeanette Lee in 2016, she was struggling to locate accessible office space for her organization, Detroit Disability Power. Lee’s Allied Media Projects was battling rising office rents as it bounced between neighborhoods. Seeking a more permanent home for both organizations, Lee found and purchased an old furniture storage facility in the Core City neighborhood, a couple of miles northwest of downtown. The space is large—25,000 squar

Who writes a building’s story? The architect, the client, the nearby community, and the building’s users could all pen different narratives. Some might wax poetic about shining details and brilliant floorplans; others might record displacement and division. The Family Health Center on Virginia (The Center)—a new community medical clinic in North Texas designed by MASS Design Group with assistance from Corgan and SmithGroup—aims to ensure that all voices are included and uplifted in its story. T

FROM THE MAY 2020 ISSUE OF One day, Pascale Sablan sat down at her computer and googled the phrase “great architects.” Dozens of architects’ names appeared on the screen, and to her surprise, very few of them looked like her. “There was one woman—Zaha Hadid—and nine people of color,” says Sablan, an architect at S9 Architecture in New York. Hadid, holding two boats, also accounted for one of those nine. In that moment Sablan was concerned for kids, because when kids hear about something they m